SOME IDEAS ON DANCE FRIDAYS YOU SHOULD KNOW

Some Ideas on Dance Fridays You Should Know

Some Ideas on Dance Fridays You Should Know

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I picture this timing most likely developed throughout the Palladium era yet I have not verified that. Eddie Torres started showing and promoting this timing start in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing educator, who assisted him establish his strategy and timing.


The tale I'm regularly told here, that still requires additional examination, is that as salsa began reaching new audiences beyond the Caribbean and New York City, it was easier and much more user-friendly to educate social outsiders to dance On1 instead of On2. This tale doesn't account for the fact that I've listened to Rueda de Casino was initially danced a tiempo On3 in Cuba.


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Salsa On1 is simply one of numerous salsa timings you can dance to and it is the most typical timing you'll find in the world today. Salsa On1 timing interpretation: "On1" suggests you begin dancing on the first beat of the bar of music the 1. Your break actions (direction changes) get on beats 1 and 5.


The exemptions I have actually located so much, where On2 is most typical, would be around New York and in South Korea (Salsa Dance San Francisco). I make certain there are other locations that dance mostly On2 yet I haven't danced in every nation yet! If you're unsure what timing is most usual where you live, ask your regional dance workshop


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When someone claims "I dance salsa On1" they probably suggest "I dance direct style salsa On1" (although you can dance any kind of style of salsa On1, people generally indicate linear style). Don't worry if you've said these things in the past, it's all great most of us have! The important thing is to keep in mind there's a difference in between design and timing and grow your understanding so you can be extra accurate when discussing salsa with your pals.


It links perfectly with the wording in the music, particularly the piano, and other percussion tools like the cow bell and giro. Timing and style are two various points, so separate the ideas when you talk concerning salsa with your close friends. Despite what timing is anonymous most typical in your region of the globe, remember you can technically dance any design of salsa to any type of timing explore and enjoy! Desire extra? Take a look at this deep dive on the distinction between dance salsa On1 vs On2 when dancing a tiempo.


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There is an original mambo dance that came from Cuba and then spread to Mexico and New York in the 40s and 50s, these days when someone states "I dance mambo" they indicate salsa On2, which is various than the initial mambo dancing. The occasional free-from actions of the original mambo were danced solo.




And that's what we describe as mambo or salsa on2 today. As the dancing started to spread out, On1 timing started to come to be preferred. Salsa On2 meaning: "On2" suggests you start dancing on the very first beat of the bar of music the 2. Your break actions (direction changes) are on beats 2 and 6.


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Historically those are the instruments that a son cubano professional dancer connected with which was passed on to mambo and salsa. A whole lot of professional dancers enjoy dancing On2 for the varied means you can link to the songs. This is the original boy cubano and mambo timing. Boy cubano is the music and dance that preceded mambo and salsa.


It attaches well to the clave, bass and conga - Bachata San Francisco. Cha-cha is similar to dance On2 contratiempo but you include the triple step on 4 and 8. Danced to the very same beats as On1, your break actions are currently on 2 and 6, which transforms the feeling of the dancing.


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It connects well with the conga and cowbell. https://dancefrisfca.edublogs.org/2024/01/04/dance-into-the-rhythm-salsa-and-bachata-delight-in-san-francisco/. This timing is nearly identical to contratiempo On2 however the actions that are normally on 4 and 8 get on 4. 5 and 8. 5 instead half a beat later on, which lines up with the syncopated tone of the conga. It's practically like a timing in between a tiempo and contratiempo.


5 rather of 5) you're dancing this syncopated timing. In fact it appears it's usually danced as kind of a "mistake" for anyone dancing the previous 2 timings.


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As pointed out previously, this was the first interpretation of dance on clave (son clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to align as numerous steps of your basic as possible with the strikes of the boy clave.


The point concerning songs and dancing is that there is no right or wrong. There is just analysis. You can dance on any kind of timing you such as! Naturally, individuals have actually discovered a method to dance on nearly every timing possible to son and salsa songs. Individuals dance On3 for the exact same factor you dance On1 because it emphasizes the solid beats of 1-3-5-7.


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Allow's take a look at the beats you dance On1 to: -2-, -6- (strong beats are in vibrant) Let's look at the beats you dance On3 to: -4-, -8- (strong beats remain in vibrant) Notification just how the solid beats are spaced exactly the same for On1 and On3? All you do is begin tipping On3 rather than On1.


That's why dance On3 is so usual in Latin America. People either Try to dance On1 however begin tipping On3 by mishap and it works out just fine, or They do not recognize much regarding timing and are just interpreting what they hear in the music, based on their experience maturing in a culture with salsa.

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